Organima
An ongoing research series investigating animation with organic materials
An ongoing research series investigating animation with organic materials
organima 7 - Ksha-sha
Check out my substack article talking about the making of this piece in more detail.
A serpentine, crawling, invasive species settling into a new environment. Their new home is a 180 sheet brick of plant-paper, which they slowly spread into, taking up as much space as possible. This work was made possible by the deeply involved 4-way collaboration with Emi Takahashi, Elena Kirby, and Masumi Rodriguez, and myself.
Co-directed with Emi Takahashi
In collaboration with Masumi Rodriguez and Elena Kirby
Score by Ivy Boxall
Title design by Emi Takahashi
Supported by Canada Council for the Arts
organima 6 - Bewrop
Check out my substack article talking about the making of this piece in more detail.
A bewrop [byu-lop] breaches the surface searching for a snack, when it notices a foreign device sitting nearby. Investigating, it concludes it is being perhaps monitored, or inspected, or watched. An audience. A bewrop savours a spectator, so it skids and bobs along the water, performing tricks and flaunting, before soaking its audience and sinking home.
Sound and music by Ouri
Title Design by Anna Chandler
Supported by Canada Council for the Arts
organima 5 - The Uu
Made in partnership with Anna Chandler
Check out my substack article talking about the making of this piece in more detail.
Observing spirits woven by light that do not distinguish between independence and togetherness.
“Our observation shows an encounter of two stray Uu. It appears at first that they’re in a conflict, as they’re circling around and colliding into each other like head-butting goats. Later it becomes clear they were not battling, but attempting to join together, and finally they discover how to move in harmony. Moving so, the two strays merge and become a single stay Uu. From this encounter we can conclude that the autonomous Uu strays cannot only reincorporate themselves into the greater presence of The Uu, but also independently join together.”
-excerpt from The Uu: A Collection of Observations and Ideas
Sound and music by Daniela Andrade
Animation Assistance by Marvin Lau
Supported by Canada Council for the Arts
organima 4 - The Dodeda
Check out my substack article talking about the making of this piece in more detail.
A look at a stone species who have lost count of time.
Two young dodeda are playing when they’re approached by an older dodeda, an elder. This ancient dodeda initiates a connection, reaching out a vein from each of its rings to make contact. It then migrates a shadow its life’s memories to the younger one; a great honour, as it can be done only once. Once completed, the elder accepts its 7th ring, which is the final ring for a dodeda. This last ring prompts the rebirth transition, where the elder reintegrates itself back into the stone, leaving behind 3 newly born dodeda, safe in the rubble.
Sound and music by Will Miller
Supported by Canada Council for the Arts
so much can happen
Experimental animated shortfilm, 02:12.
Score by David May
Posing and Assistance by Emily Allan and Toko Hosoya
so much can happen explores the mundane and quiet moments between major plot points of our life. These memories gradually abstract and bleed together into just feeling.
Concepts are visualized by thick and harsh charcoal lines that illustrate the contours of a memory, while a faded photograph tints the background from behind.
thank you so much to haley, MMC, emily, toko, enoch, david, sam, eddie, rene, and kosta.